Sophie Wilde. © 2023 A24, Screen Australia, South Australian Film Corporation, Adelaide Film Festival Investment Fund, Head Gear Films, Metrol Technology, and Causeway Films. Directed by Danny Philippou & Michael Philippou.
Watched it at AMC Theaters
Ok...Talk to me. When I saw who was directing this project, I knew right away this was going to be an instant banger. After seeing the film twice, this is going to be an interesting review to write because this is the freshest horror story I've seen in a long time. The creativity on screen is immaculate and the horror aspects are through the roof. This is a film that hardcore horror fans and even movie fans will absolutely enjoy and be glued to the screen. The film doesn't just do horror right, but it allows you in on the characters' emotions, struggles, and addiction. Let's go to a wild party and test out this weird magic hand that you may encounter dead people through...or become the dead person itself. Story: When a group of friends discover how to conjure spirits with an embalmed hand, they become hooked on the new thrill and high-stakes party game -- until one of them goes too far and unleashes terrifying supernatural forces. Directors Danny Philippou and Michael Philippou took a simple horror concept and twisted it to its limits. The sheer amount of violence, horror, and insanity is present throughout this film. The Philippou brothers used their camera and directing magic from the YouTube videos they created and turned this film into a cinematic horror-fest. While this film isn't the huge gore fest and crazy camera work from Philippous' original content, there is still the flavor of RackRacka that is through the excellent camera work and direction with the characters and story. Speaking of characters and the story, the story is very engaging from start to finish. There is emotional weight and consequences behind every action these characters commit. The main character Mia (Sophia Wilde) has a unique character arc that goes in different directions that you may never expected to see. Wilde's performance really captures the teenager experience and her dynamic with her friends feels natural. I really loved how we get to experience these events through the eyes of Mia by following her every move with the hand object and how every action she takes will affect others. Plus, her personality makes her character more engaging and the performance feels fresh and vivid. The supporting cast is amazing including Alexandra Jensen as Jade. Miranda Otto is also great in the film as Sue. While she doesn't get to do much, she really encapsulates her presence between Mia and Jade. Overall, the performances here are some of the strongest I've seen in a horror film this year. With those performances into a gripping and haunting story, it makes the film more special and chaotic, in a good way. The story is simple yet refreshing to see in a unique horror film that anything can happen. The opening prologue sold me for the next hour and a half of the film. All in one take, setting up the vibe, atmosphere, and bloody horror of the film, I knew that I was going in for a treat. The film's pacing of the story was very smooth with no filler in between important scenes and character moments. It lets the story digest the world, characters, and the myth of the hand object. Plus, the hand object lore isn't explored a lot but the film gives you a quick rundown of the history behind this object and it's enough that you want to theorize more later. Certain plot points get very juicy when certain characters start to play with the object way too much where at a point, chaos starts to erupt. By the hour mark, the tension and horror don't stop and it holds you until the end. It's written so well by letting every scene and moment feel it has weight and it lets the audience digest each moment that has importance to the entire story. While the film is about supernatural beings and friendship, the film is really about trauma, grieving, and broken relationships. Plus, it's about fixing the broken things that have been broken for quite a while and you can't seem to fix it until you literally become broken. That is what I analyzed through the film's ending. Without spoilers, it's a heartbreaking ending that will let you think about your current relationships and how far can we maintain them until we destroy them with one action. Or even an action further. The story doesn't get too convoluted which is great because there's so much mystery behind this hand but it's really about these characters trying to get out of a situation that they shouldn't even be then in the first place. Even if the characters are not part of the situation with the hand object, they are still affected by the consequences of certain characters which makes the stakes of the film feel tight and real. With the addition of the horror aspects, it makes certain sequences feel haunting and fucked up. It's not full-on RackaRacka violence, but it gets you there at a point where you are in for a wild fucking ride.
That wild ride is carried by its horror elements. The camera work is fluid throughout the horror sequences with interesting shots and angles. Plus, the RackRacka flavor and directing makes these sequences feel like action sequences but in this case, through horror. The make-up effects of the creatures beyond the hand are scary and disgustingly good. Even some of the gore effects are pretty gruesome and deadly impactful to the story. The cinematography is very slick with interesting lighting choices and coloring use of muted and bright blues and reds. The editing here is also surprisingly great for a horror film. The pacing of each scene flows well and it doesn't waste its time on certain moments. However, when there's a crucial scene in the film, it slows down yet, with the strong directing from the Philippou brothers, the pacing through those scenes feels fast yet slow and meaningful. The score of this film is also solid alongside its interesting music choices. Nothing too crazy with its production design but I really like the simplicity of the possessed hand figure and to think that thing is real on the A24 shop is insane. Overall, the production and technical work of this film is amazing. With this film costing under five million dollars, it's incredible how they pulled off some of the biggest set pieces throughout the film while giving us an impactful terrifying story that expands on horror elements with a unique taste.
While there aren't a lot of flaws in this film, the one thing I could point out is the father dynamic between Mia and her father. I feel like there was something missing. Even though I loved the scenes between her and her mother because that's the core of the film, the father's storyline felt weak. Yet, I was still hooked in their scenes when they got into an argument about their mother's passing. Besides that, there could be some logical issues with its story decisions, but I was still invested from beginning to end. Haunting, darkly vivid, and gripping, Talk to Me is what horror films in this new era of cinema should be doing. Creating simple horror films with unique twists and turns that audiences won't expect. It passed beyond my expectations and I loved every second. This is a horror flick that many cinephiles and general audiences should watch. It's also emotional with its story and by the end, you will be asking more adventures of this hand fucking up people's lives. A definite must-watch horror film.
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Vizeit Score: "A"
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Copyright © 2023 Vizeit Reviews / Vizeit Studios. All Rights Reserved. Review Written By: Everardo Garcia Jr. Editor In-Chief/Owner of Vizeit Reviews | (Chicago Indie Critics Member [CIC])
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Sandra Hüller and Swann Arlaud. © 2023 NEON, Les Films Pelléas, and Les Films de Pierre. Directed by Justine Triet.
Vizeit Reviews is in solidarity with SAG, however, SAG will allow film critics to continue their normal movie critiques as usual but with certain restrictions. [WGA has reached their deal with the AMPTP.]
Watched it at 59th The Chicago International Film Festival @ AMC Theaters (CIFF #1)
Did She Do It? The mysterious fall that everyone keeps talking about but we have the same question in our minds? Did Sandra kill her husband or was it just an accident? This film deeply explores a lot of themes of marriage but also trust, love, and identity. Anatomy of a Fall is a film that has a lot to unpack from but with the stellar performances and direction, you will find yourself glued to the screen. Let's visit the courtroom and listen to the unraveling truth of this "fall" while listening to 50 Cent. Story: A woman is suspected of her husband's murder after a mysterious fall. However, during trial, her only witness is her blind son which leaves the mother and the son in a moral dilemma. Suspense fills the air throughout this film and director Justine Triet captures it very effectively. The atmosphere and tone of the film are dreading and every second leads to something very important that the audience will miss in the background. Triet uses interesting yet beautiful and insane shots to make some of the most vital "evidence" in the film surprising. Simon Beaufils's beautiful camera work with Triet's great direction brings up certain moments that elevate each character's view of the murder. Even with the slick editing from Laurent Sénéchal, it allows the audience to become one of the jury members to witness the evidence presented during court. All of that is accompanied by Sandra Hüller's amazing performance which she lets her character bring her judgment into the picture and unravel who she is which answers the question of her husband's mysterious death. Even with the supporting cast of the film, Swann Arlaud was one of the highlights of the film which brought the tension higher and engaging. The writing of Hüller's character is so depth and nuanced that you already connect to her character in the opening of the film. A lot of well-put-together writing pieces make the prediction a bit more difficult in a good way to allow the audience to engage more with the story. Plus, the writing of the film doesn't overstuff certain character backgrounds and traits which allows the fluid of the film to be more thrilling and certain around the protagonist. The dialogue feels so natural and also the comedy here is intentionally and unintentionally funny which makes the dialogue and acting feel natural in its presence. Yet, some overlooked filmmaking elements should be highlighted in this review. The sound design here is interesting because it takes silent and loud moments which adds to the mystery of each scene. Even the opening sequence alone with the loud PIMP song by Bacao Rhythm & Steel Band can make the scene feel more tense and annoying in a good way. The distractions that Triet applies in each scene will force the audience to look beyond the picture through sound and interesting directing cues. When this is also applied through the courtroom scenes, it will make you think of what evidence is presented through each sequence. The courtroom sequences are well executed with a lot of intense drama and well-paced scenes that will leave you hooked. That piece of drama included in the film is its themes which capsulates the protagonist's story and the whole case surrounding this mysterious death.
Anatomy of a Fall has interesting themes about identity, marriage, and trust in and out of the courtroom. Since Sandra's accusation of her husband's death, she begins looking back on the decisions she made with her husband. The mother-father relationship is heavily discussed with the relationship of their child. Sandra's only child who can help her and himself to get out of this trial. However, Sandra's past was being discussed with her bisexual relationship with other women and we see her flirting actions right in the opening scene. It opens up on how Sarah really is at the point of her marriage and the matter the fact is that she's not happy with her relationship. Without any spoilers, the ending answers Sandra's marriage and identity problems in the opening scene. However, Sandra's struggle with trust makes the courtroom scenes more tense due to her blind son's lack of trust in her mother. All of those themes combined bring up a question, is Sandra really a trustworthy mother and wife? The answer speaks for itself in the film. Through all the narrative elements, the technical filmmaking here once again is sleek and amazing. The coloring of this film is very beautiful and saturated yet realistic. The production design of the house is unique and cozy as well. Technically, it's a well-made film but with its narrative, it is a strong foot. However, I have some criticisms that could've made the film much faster.
The film's pacing can be very slow in the second act of the film. There is tension to the scenes but sometimes, the tension can drag a bit which almost kills the suspense in the room. The film feels a bit long so that's why I felt like the film's pacing was slow right in the middle. There are easily some scenes that could've been shortened but not cut out because all of them were very essential. However, the one thing that I wished the film had was more energetic moments in the courtroom. There for sure were energetic moments outside of the courtroom scenes but during the trial, the energy felt mixed yet, the energy was still heated. Still, even by the final shot of the film, I was surprised at how this film hooked me till the end. Chilling, tense, and sophisticated, Anatomy of a Fall delivers a well-executed court drama that will leave you questioning the justification of the murders and Sarah's personal life. A lot of great thematic elements that add depth to Sandra's relationship with her son and husband. With the unique direction from Justine Triet, it elevates the courtroom sub-genre into a new direction in which other films will follow suit. Also, this is the right time for Sandra Hüller to get the Tár treatment during awards season.
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Vizeit Score: "A-"
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Copyright © 2023 Vizeit Reviews. All Rights Reserved. Review Written By: Everardo Garcia Jr. Editor In-Chief/Owner of Vizeit Reviews | (Chicago Indie Critics Member [CIC])
Greta Lee and Teo Yoo. © 2023 A24, CJ ENM, Killer Films, and 2AM. Directed by Celine Song.
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Watched it at AMC Theaters
Two Lives Intertwine Once Again In the past, people can change. Futures can be changed. Relationships can be changed. However, one person will at least stay once in your life and bounce back again to begin new beginnings. Past Lives is the answer to new beginnings and revisiting a past life you once had. This is a deep film that explores many themes and once the film ends, you immediately rethink what kind of life you had in the past. Every emotion will hit you once you see the final shot of the film with the beautiful score in the background. Join me in New York City to explore the past lives of these characters and the theme of truly living here and now. Story: Nora and Hae Sung, two deeply connected childhood friends, are wrestled after Nora's family emigrated from South Korea. Decades later, they are reunited for one fateful week as they confront destiny, love, and the choices that make a life. Capturing human moments is very special and I feel like Past Lives captures those moments like it's a documentary within a narrative form. It's special how Celine Song directs her two leads into emotional moments and removes the boundaries to make certain choices that will affect not just throughout the story, but the arcs of those characters. Even John Magaro's character Arthur has a major arc within his relationship with Greta Lee's character Nora. Each character serves a purpose in this story and by the end, there are many emotions flowing in through each character that determine their past lives and their future. I was captivated by the beautifully written screenplay and it allowed certain moments to be so heartful while giving the actors more freedom to explore their character. It doesn't waste time to introduce these characters' lives and it's an interesting feat of a story structure to have these long introductions before heading to the main central story in the present time. I was expecting the film to start right away with the two characters in New York which it does but only for a minute before going back to the past to see how their relationship changed over time until they meet once again in New York. I think it's wonderful and fresh to see that and it goes straight to the point. I really loved the two main leads in the film, especially Greta Lee. She really delivers an outstanding performance in bringing this simple yet emotional character that separates her new life from her old life. Teo Yoo as Hae Sung was also fantastic at delivering an interesting character that many males can relate to. Aiming for the girl of your dreams and suddenly, once you get rejected, you start heading to a different path. However, that same path will crossroads into the original path with the person you fell in love with back in your younger life. It's an interesting analysis of human decisions that open new paths but the old path can come back once the person is ready to restart their original path. Even their old lives can come back and it can reveal their original emotions and feelings. It's a deep film with simple topics and ideas that resonate with audiences about how much we value love and our lives for one another. Love can be challenging but with a new path, that love can expand into something greater.
The cinematography is simple yet beautiful in presenting these emotional and heartwarming moments. The framing on each scene and shot are very well done and it captures the essence of the environments and emotional state of the main leads. The production design is also pretty good too and I love how we get to see both eras of New York City and Seoul change and intersect. The score is absolutely fantastic in elevating emotional moments to their limits. The music is also very relaxing by giving a vacation-type rhythm through each emotion that is presented. The editing here is also well-paced by not wasting time on each scene and letting the emotional scenes breathe and time shine. The New York City trip scene is well edited by giving slow beats while still having a smooth rhythm with its characters. Overall, it's an amazing indie production and it elevates emotional love stories to another level.
This was such an emotional film from beginning to end. Past Lives explores different themes and ideas that many love dramas wouldn't touch and director Celine Song embraces those ideas into something greater. The performances are fantastic, the writing is very strong, and the cinematography is exquisite. Easily one of the best films of 2023 and I'm looking forward to Song's next project to break my heart once again. Now Playing in Theaters and on VOD. Vizeit Score: "A"
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Copyright © 2023 Vizeit Reviews / Vizeit Studios. All Rights Reserved. Review Written By: Everardo Garcia Jr. Editor In-Chief/Owner of Vizeit Reviews | (Chicago Indie Critics Member [CIC])
Jason Schwartzman and Tom Hanks. © 2023 Focus Features, American Empirical Pictures, and Indian Paintbrush. Directed by Wes Anderson.
Vizeit Reviews is in solidarity with the WGA & SAG, however, SAG will allow film critics to continue their normal movie critiques as usual but with certain restrictions.
Watched it at AMC Theaters
A Very Anderson Feature... Looking through the saturated orange colors and the bright blues across the frame, filled with a stacked cast in the composed frame, and the city that looks like a studio set, this is a film that cinephiles will love. Even if the story doesn't hold up for certain people, it will still grab their attention for this Anderson picture. This is Wes Anderson's follow-up from The French Dispatch and the way he tells this new story is unique but in order to keep it that way, he upped the dial on his visuals and the results are flashy yet interesting. Join me in Asteroid City and see what pot of land we can buy from Michael from The Office. Story: World-changing events spectacularly disrupt the itinerary of a Junior Stargazer/Space Cadet convention in an American desert town circa 1955. Augie Steenbeck and his family are stuck in Asteroid City but they recollect themselves on their purposes of life, love, and technology. One of the biggest differences I noticed from his previous films is that this film's visuals are through the roof. This is basically Anderson's style up to one hundred percent, and it works well for this film's story. However, even with Anderson's amazing style of filmmaking, at its core, it's about the story and characters. His characters here have their unique identity that shapes the overall story, including the conflict which changed the whole town upside down. The main characters in the story played by Jason Schwartzman, Scarlett Johansson, Jake Ryan, and Tom Hanks really make this story flow but it's stacked by many characters. It jumps between stages and Anderson is famous for his unique story structure. The structure here in this film works well by jumping into the actual story and going out of the story to see the creation of it. I love some of the "breaking the 4th wall" moments and it pays homage to classic sci-fi films and television/radio productions. Since I learned TV and radio history, I was kind of geeking out for a few moments in between some transitions and little funny moments. Those little small moments make the story much easier to follow and help the characters interact a little bit more within their situation. The plot here is interesting and while it can be a little bit jolted in certain sequences, I was still hooked on the sci-fi elements that Wes Anderson introduced here. I liked how it explored different sections of the town and when the whole town is together, the energy starts to pile up in a good way. One unique element and pretty much one of the themes in the film is grief and moving on. Jason's character wants to grief of his wife's death with her ashes but he's not ready to tell it to his kids yet. However, he's in a town where he takes the opportunity to change his life decisions and rethink life. I really like the idea and themes here and it worked well, especially with the ending of the film. The film's ending felt real and is a reminder that we have to move onto a new life and step away from the grieving point. A city filled with emotions and nuclear testing. Still, it's not just focused on Jason's character but on every cast going through their emotions and points of their life to recover their-selves. All of that is told through a visually eye-popping view of this unique story brought by the production team of this film.
The cinematography of this film is stand-out amazingly with its great well-saturated color look with its iconic Wes Anderson style of composition. His composition and blocking of characters is still iconic to this day and he utilizes it very well here. Some will complain about its use of empty space but I love how it evokes loneliness and a grand scope of the city or area. The editing here is also well done and I loved the split-screen use in this film. It adds a little bit of comedic tone and ups the style of this film. The production design is fantastic in this film. I can't notice which building, prop, or even an area is real or a miniature. Even with VFX in this film, it looks very good. The costume design here is fantastic by making each setting fit and since this film is in color and in black and white, it makes the environment more distinct. I also loved some of the color effects which make the costumes stand out in both color and B&W. The music is also very great and I love the song choices which makes the film more jumpy. Overall, the production work is fantastic with the cinematography being the stand-out. Even with all of its positives, this film holds down within the dialogue and pacing.
One of the flaws I recently noticed in Wes Anderson's previous films including this one is his dialogue is so sparse that you can't understand the context behind it. In his previous film, it was a little bit easier to understand due to its exposition but in this film, it's way harder to understand. I was a bit lost during some of the important conversations which hurt the pacing of certain scenes. However, the final 20 minutes really cleaned up the dialogue and I understood what the film was trying to communicate. It's an interesting flaw that is happening in his recent films but that's the major flaw that was holding me back during the film. The story could've been more cleaner and understandable but with his visuals, it makes it more easier to follow up. Besides the confusing dialogue and loosely story, I was still invested in the world of Asteroid City. Even if this film wasn't up to the best of Wes's other films, it's still a solid film filled with great performances, eye-colorful cinematography, and a unique story that cinephiles will love or be lost at. It's still a great film and it shows that Wes still has the cinema power to bring small stories into larger-than-life colorful stories. Now Playing in Theaters and on VOD. Vizeit Score: "B+" (Share this review with your film friends and on social media! Thank you for continuing supporting my indie cinema website.) Copyright © 2023 Vizeit Reviews / Vizeit Studios. All Rights Reserved. Review Written By: Everardo Garcia Jr. Editor In-Chief/Owner of Vizeit Reviews | (Chicago Indie Critics Member [CIC])
Jim Caviezel. © Angel Studios and Santa Fe Films. Directed by Alejandro Monteverde.
Vizeit Reviews is in solidarity with the WGA & SAG, however, SAG will allow film critics to continue their normal movie critiques as usual but with certain restrictions.
In Every Darkness, There's Always A Light
Hollywood is in a unique position due to the strike and other controversial events that changed cinema during the post-pandemic. However, one film came into the scene silently and it's roaring throughout July and that film is Sound of Freedom. This is the return of Jim Caviezel on the big screen and his performance really made this film more impactful. While this film is still getting controversy from a range of topics, this is still a film that Hollywood won't shine light on anymore and I'm happy it's getting released majorly. Let's dive into this film and see what's the controversy about. Story: After rescuing a boy from ruthless child traffickers, a federal agent learns the boy's sister is still captive and decides to embark on a dangerous mission to save her. With time running out, he quits his job and journeys deep into the Colombian jungle, putting his life on the line to free her from a fate worse than death. Right away, this is a hard film to watch due to the real-life subject matter. However, it doesn't push it to its limits which I very much respect because this film includes some of the most heartbreaking scenes of this year. This isn't an easy film to watch but Jim Caviezel brings light into the film and makes the viewing much easier. Jim's performance is fantastic throughout the film and his performance feels very shallow yet great. The way he brings the real-life hero Tim Ballard is so interesting because Jim's performance with his eyes and dead silence brings it all. Even though there are performances in different films that do that in which cases do work or don't, for this type of character, it fits perfectly, especially with the subject matter. There is some rewarding little humor to keep this film way too depressing but Jim really shines this film to its fullest. While there is some fictional material in the film, especially in the final act, the film faithfully recreates what Tim saw in some of the events he encountered. Especially during the island scene, which was a tense scene, really demonstrated how Tim had to keep himself in control and under-detected while saving these kids. While the final sequence is fictional, which takes place within a rebel forest, it's still tense on how Tim would approach it and it adds action to the film which makes it more thrilling. It's not so an action film but more on the thriller part with some inspirations from Narcos and A Private War. Besides the well-made tense sequences, Jim really delivered his best performance since The Passion of the Christ and the supporting cast here really made this film more powerful and thrilling. Bill Camp is amazing in his huge supporting role and his scene with Jim's character at the hotel was very emotional and it's one of the best scenes in the film. I love their duo friendship and it's very well done while still keeping Jim in the spotlight. Javier Godino has a small supporting role in the film but he does a great job with his performance. Mira Sorvino has a very small role in the film but her scenes with Jim really shine and give depth to the complexity of Jim's personal and work life. These performances really make this film tense and help make the subject of the film more prominent rather than underexposing it.
What I also love about this film is the directing which is done by Alejandro Monteverde. His way of telling visual storytelling here is unique. It's slow and somber yet fast-paced due to its well-crafted editing. There is a unique visual style here that is supported by its great cinematography, photographed by Gorka Gómez and Andreu Aec. It's a mix of light and darkness yet it shows signs of hope and faith. Alejandro lets its actors feel into the moment with the support of the film's production design and practicality. One thing I really liked about this film is that Alejandro lets Jim explore Tim's personality and creates some unique moments that give depth to the scene of his character or the situation of the scene. I found that very compelling and it adds little nice detail to the situation of the scene. Besides the directing, the production here is easily very well done for a low-budget indie film. Especially for a faith-based film, this is high quality and you can tell with its production design, on-location filming, well-shot cinematography, and score of the film. For the past 10 years, we have seen more crappy Christian films but I'm glad this film stepped out to show that it's possible with the right crew and the right director. I wouldn't even consider this film a faith-based film. Even though there are moments where it spreads its Christian/catholic faith, it's done very well while still keeping the subject matter front and center. The line "God's children are not for sale" is the hardest line in the film and from there, I knew I was in for a thrilling ride. It's also so weird seeing the same actor that played Jesus 11 years ago kicking ass in the film. Overall, the production is very great for a low-budget indie film and it shows that if you care about the story or subject matter but also utilize the cinema art form, you can create a good film in the end. While there are controversial parts of the film which case I won't discuss here, I still have some issues with the film itself.
The pacing of this film really holds some of the momentum of certain scenes. It gets a little bit stale in certain sequences with dead moments which bothered me, especially during some dialogue scenes. While this is still a plot/character story, it does get a little bit lost in between but still keeps the subject matter within context. Mira's character gets little screen time which was a bit disappointing but her small scenes add emotional depth to Tim's journey. There are some little screenplay issues in some parts and I wish it could've been shorter. Still, this is an engaging thriller that will be talked about for many years to come. With all the controversy and weird ass conspiracies behind it, if you look through the lens of the film, you will find many great things behind this unique production and story. Jim really helps elevate this film with its powerful story and keeps the film more thrilling. Well shot with great performances, and a well-made story that will be watched on for years to come. This is a film that will be sure to be looked at and be more appreciated to confront one of the darkest crimes in the world. In the end, this is a film that helps spreads its message about child trafficking and hopes that it reaches audiences around the nation and the world for the better to save children from the darkness and bring them to the light. Now, it's time for Jim Caviezel to start working on that long-awaited sequel of The Passion of the Christ. Now Playing Only in Theaters! Vizeit Score: "A-" (Share this review with your film friends and on social media! Thank you for continuing supporting my indie cinema website.) Copyright © 2023 Vizeit Reviews / Vizeit Studios. All Rights Reserved. Review Written By: Everardo Garcia Jr. Editor In-Chief/Owner of Vizeit Reviews | (Chicago Indie Critics Member [CIC]) |
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